During the Adventure Club’s second season, Odyssey composer John Campbell applied an even broader sonic palette. The jungle became both foreboding (“To the Ends of the Earth”) and dreamlike (“Walter’s Flying Bus”). We felt the swirling chill of Alaska (“The Cure”), were enchanted by pixie dust (“Pinocchio”), and pursued truth with a sense of mystery and urgency (“B-TV: To Tell the Truth”). “Follow Me” and “Hidden Gems” even escorted us on an instrumental tour of the Holy Land.
